Iryna Drahun
It points to a nuance that’s crucial for understanding Sereghy’s music. Her tracks are colourful, full of luminous textures and bouncy grooves. The intricate imbrications of electronic and acoustic sounds often conjure mental images of sprite-like electronic characters. But she doesn’t see her music as escapist, it’s not “about entering the magic land of fairytales.”
Ursula Sereghy - Spiders
| upcoming shows | |
|---|---|
| 15.05.26 | Nova Cvernovka, Bratislava → |
| 05.06.26 | NiANSA, Slovenia → |
| past shows | |
|---|---|
| 24.04.26 | Fraktal, Brno → |
Ursula Sereghy
electronic experimental ambient
Ursula Sereghy is a Prague-based electronic music producer, instrumentalist,Shape Platform+ alumni, and member of Synth Library. In September 2021, Ursula released her debut EP "OK Box" on the Gin&Platonic label, which received acclaim on both the Czech and international scenes. In April 2025 her new EP Cordial was released on the Warsaw label Mondoj.
Ursula's characteristic sonic palette and organic intertwining of fragmented rhythms blend with lightly ironically sounding chorales and field recordings capturing the noises of cities and civilization listened to from a great distance. The rhythmic structures often describe longer or more complex patterns than usual, so the impression of chaos depends primarily on the listener's perception of order and coherence. The tracks create small corners, certain types of soundtracks to events in everyday life, which may then be perceived in a slightly different light. They could be seen as clues in the detective work of exploring the multiplicity of reality and perceiving one's own subjectivity, which is so intricately intertwined with the all-encompassing influences of myths and cultures that create what we call normalized reality.
Ursula's characteristic sonic palette and organic intertwining of fragmented rhythms blend with lightly ironically sounding chorales and field recordings capturing the noises of cities and civilization listened to from a great distance. The rhythmic structures often describe longer or more complex patterns than usual, so the impression of chaos depends primarily on the listener's perception of order and coherence. The tracks create small corners, certain types of soundtracks to events in everyday life, which may then be perceived in a slightly different light. They could be seen as clues in the detective work of exploring the multiplicity of reality and perceiving one's own subjectivity, which is so intricately intertwined with the all-encompassing influences of myths and cultures that create what we call normalized reality.